Prelims

Shakespeare and the Problem of Adaptation. Vol. 1, No. 1, pp. i–xii.

1 - 'COMEDIES ARE WRIT TO BE SPOKEN, NOT READ' - Approaching the play

Shakespeare and the Problem of Adaptation. Vol. 1, No. 1, pp. 1–21.

2 - 'THE LIFE OF THESE THINGS CONSISTS IN ACTION' - Staging the play

Shakespeare and the Problem of Adaptation. Vol. 1, No. 1, pp. 22–57.

3 - 'SPEECHES WELL PRONOUNCED, WITH ACTION LIVELY FRAMED' - Performing the play

Shakespeare and the Problem of Adaptation. Vol. 1, No. 1, pp. 58–108.

4 - PALACES OF PLEASURE - Outdoor playing spaces and theatre practice

Shakespeare and the Problem of Adaptation. Vol. 1, No. 1, pp. 109–143.

5 - CHAMBERS OF DEMONSTRATIONS - Indoor playing spaces and theatre practice

Shakespeare and the Problem of Adaptation. Vol. 1, No. 1, pp. 144–176.

6 - 'POISON IN JEST' - Some comic (ir)resolutions

Shakespeare and the Problem of Adaptation. Vol. 1, No. 1, pp. 177–196.

7 - 'A GOOD PLAY GONE WRONG' - Renaissance drama in action 1642-1997

Shakespeare and the Problem of Adaptation. Vol. 1, No. 1, pp. 197–232.

POSTSCRIPT

Shakespeare and the Problem of Adaptation. Vol. 1, No. 1, pp. 233–234.

NOTES

Shakespeare and the Problem of Adaptation. Vol. 1, No. 1, pp. 235–244.

BIBLIOGRAPHY

Shakespeare and the Problem of Adaptation. Vol. 1, No. 1, pp. 245–258.

INDEX

Shakespeare and the Problem of Adaptation. Vol. 1, No. 1, pp. 259–265.

Prelims

Romantic Representations of British India. Vol. 1, No. 1, pp. i–xiv.

1 - General introduction and [ meta ] historical background [ re ] presenting 'The palanquins of state; or, broken leaves in a Mughal garden'

Romantic Representations of British India. Vol. 1, No. 1, pp. 1–44.

2 - British-Indian connections c. 1780 to c. 1830

Romantic Representations of British India. Vol. 1, No. 1, pp. 45–64.

3 - Torrents, flames and the education of desire

Romantic Representations of British India. Vol. 1, No. 1, pp. 65–83.

4 - Between mimesis and alterity

Romantic Representations of British India. Vol. 1, No. 1, pp. 84–112.

5 - Poetic flowers/Indian bowers

Romantic Representations of British India. Vol. 1, No. 1, pp. 113–130.

6 - 'Where…success [ is ] certain'?

Romantic Representations of British India. Vol. 1, No. 1, pp. 131–153.

7 - Radically feminizing India

Romantic Representations of British India. Vol. 1, No. 1, pp. 154–179.

8 - The strains of empire

Romantic Representations of British India. Vol. 1, No. 1, pp. 180–196.

9 - From 'very acute and plausible' to 'curiously misinterpreted'

Romantic Representations of British India. Vol. 1, No. 1, pp. 197–219.

10 - 'Travelling the other way'

Romantic Representations of British India. Vol. 1, No. 1, pp. 220–237.

11 - Conquest narratives

Romantic Representations of British India. Vol. 1, No. 1, pp. 238–258.

12 - Orientalism and religion in the Romantic era

Romantic Representations of British India. Vol. 1, No. 1, pp. 259–277.

Index

Romantic Representations of British India. Vol. 1, No. 1, pp. 278–290.

Prelims

The Popular Culture of Shakespeare, Spenser and Jonson. Vol. 1, No. 1, pp. i–x. Lamb, Mary Ellen.

1 - Producing popular cultures

The Popular Culture of Shakespeare, Spenser and Jonson. Vol. 1, No. 1, pp. 1–24. Lamb, Mary Ellen.

The Popular Culture of Shakespeare, Spenser and Jonson. Vol. 1, No. 2, pp. 25–28. Lamb, Mary Ellen.

2 - Taken by the fairies

The Popular Culture of Shakespeare, Spenser and Jonson. Vol. 1, No. 2, pp. 29–44. Lamb, Mary Ellen.

3 - Old wives' tales

The Popular Culture of Shakespeare, Spenser and Jonson. Vol. 1, No. 2, pp. 45–62. Lamb, Mary Ellen.

4 - Hobby-horses and fellow travelers

The Popular Culture of Shakespeare, Spenser and Jonson. Vol. 1, No. 2, pp. 63–88. Lamb, Mary Ellen.

The Popular Culture of Shakespeare, Spenser and Jonson. Vol. 1, No. 3, pp. 89–92. Lamb, Mary Ellen.

5 - A Midsummer Night's Dream

The Popular Culture of Shakespeare, Spenser and Jonson. Vol. 1, No. 3, pp. 93–124. Lamb, Mary Ellen.

6 - The Merry Wives of Windsor

The Popular Culture of Shakespeare, Spenser and Jonson. Vol. 1, No. 3, pp. 125–160. Lamb, Mary Ellen.

7 - The Faerie Queene

The Popular Culture of Shakespeare, Spenser and Jonson. Vol. 1, No. 4, pp. 163–194. Lamb, Mary Ellen.

8 - Oberon, The Fairy Prince (1611) and the great fairy caper; The Sad Shepherd ( c. 1637) and the topography of the devil's arse

The Popular Culture of Shakespeare, Spenser and Jonson. Vol. 1, No. 5, pp. 197–228. Lamb, Mary Ellen.

Conclusion

The Popular Culture of Shakespeare, Spenser and Jonson. Vol. 1, No. 5, pp. 229–231. Lamb, Mary Ellen.

Notes

The Popular Culture of Shakespeare, Spenser and Jonson. Vol. 1, No. 5, pp. 232–240. Lamb, Mary Ellen.

Bibliography

The Popular Culture of Shakespeare, Spenser and Jonson. Vol. 1, No. 5, pp. 241–263. Lamb, Mary Ellen.

Index

The Popular Culture of Shakespeare, Spenser and Jonson. Vol. 1, No. 5, pp. 264–271. Lamb, Mary Ellen.

PAUL (ADOLPH MICHEL) DE MAN (1919-1983)

Fifty Key Literary Theorists. Vol. 1, No. 1, pp. 68–73. J.Lane, Richard.

JACQUES DERRIDA (1930-2004)

Fifty Key Literary Theorists. Vol. 1, No. 1, pp. 73–78. J.Lane, Richard.

TERRY (TERRENCE FRANCIS) EAGLETON (1943-)

Fifty Key Literary Theorists. Vol. 1, No. 1, pp. 78–83. J.Lane, Richard.

DONNA J.HARAWAY (1944-)

Fifty Key Literary Theorists. Vol. 1, No. 1, pp. 146–152. J.Lane, Richard.

GEOFFREY H.HARTMAN (1929-)

Fifty Key Literary Theorists. Vol. 1, No. 1, pp. 152–158. J.Lane, Richard.

LINDA HUTCHEON (1947-)

Fifty Key Literary Theorists. Vol. 1, No. 1, pp. 158–162. J.Lane, Richard.

PAUL RICOEUR (1913-)

Fifty Key Literary Theorists. Vol. 1, No. 1, pp. 228–234. J.Lane, Richard.

EDWARD WADIE SAID (1935-2003)

Fifty Key Literary Theorists. Vol. 1, No. 1, pp. 234–240. J.Lane, Richard.

ELAINE SHOWALTER (1941-)

Fifty Key Literary Theorists. Vol. 1, No. 1, pp. 240–246. J.Lane, Richard.